Barbara DiLorenzo Presents: RENATO AND THE LION + Enter to Win a Free Copy

I met Author/Illustrator Barbara DiLorenzo at a NJSCBWI Fall Craft weekend in Princeton, NJ.  I was immediately captivated by the watercolor illustration she shared – in postcard form – from an upcoming PB.  (The postcard hangs on the wall above my desk, like beautiful art should).

 

Illustration by Barbara DiLorenzo

As we talked, we discovered a shared interest in research and making stories as authentic as possible.  Hearing about her journey toward that goal blew me away.  Here’s Barbara with that story:

After a decade of hard work, I sold my first picture book in September of 2014. Viking Children’s Books bought RENATO AND THE LION (Viking Children’s Books) I was elated, but I knew there was still so much work ahead. My editor acquired a wordless dummy, but the story needed text to clarify the time period and the events connecting Renato to his lion. The editor asked me to wait while her team ushered the next round of books to publication. There was no timeline given, and it ended up being many months. I could have worked on other projects until she was ready for me. But I knew that although I had my plot and characters, there was so much of the actual history I was unsure of. Since the lion statue comes to life in the story, the rules of pure historical fiction didn’t seem to apply. Nevertheless, I felt a duty to paint a believable world that children could learn from and historians would accept as accurate.      

I began this unstructured time by sketching the characters, trying to get to know them better so I could maintain consistency throughout the illustrations. At the same time, I attended a local SCBWI event in Princeton, NJ, known as the Fall Craft Weekend. This annual event includes intensive workshops for writers and illustrators, as well as panels and workshops led by industry professionals and established book makers. One of the workshops I attended was by Darlene Beck-Jacobson, author of WHEELS OF CHANGE. The theme of the workshop was the research process for historical fiction projects. I dutifully took notes, but as I listened to Darlene, I couldn’t believe how thoroughly she researched her book’s world. She mentioned calling a museum to ask about which streets were dirt and which were cobble-stoned in the time period of her piece. That blew me away, as her book about a horse-carriage maker would need to know something like that. It occurred to me that the research process was fun for Darlene. I was only accustomed to research projects for school–something I had never enjoyed. But her eyes were bright as she talked about verifying facts and details for her book. That workshop changed the trajectory of RENATO AND THE LION. 

Like a sweater with a loose thread, tugging at the facts of the time period unraveled an entire world for me. I started with one request from my editor–to make sure that Renato and his family could have taken a boat from Italy to New York during the height of World War II. I started searching online, then pulling books from the local library. It only took a few days to learn that there was just ONE boat that carried passengers from Naples to New York in 1944. President Roosevelt had authorized a military ship, the U.S.A.T. Henry Gibbins to bring 1000 Jewish refugees to our coast. At first I wondered if this meant Renato had to be Jewish. I wasn’t opposed to this, but I wanted the story line to be true for either a Jewish family fleeing persecution, or a Catholic family that was perhaps anti-fascist. As it turns out, the boat carried 100 non-Jewish refugees. And there were two Renatas and two Renates on board! Research was indeed fun, and I was hooked! 

The next big topic I wanted to figure out was whether or not the lion was ever covered. This took a lot longer, with trips to the Princeton University libraries and the help of their researchers. All I had to do was ask, and I was granted permission to see the Pennoyer Collection–where I sketched from photos taken from the 1940’s. I requested books off site, through their art history library, the Marquand–which was incredible. I felt like a detective, racing to find out if the story I had imagined could actually have existed. My stomach was in knots more than once when I thought I had discovered contradictory information, or a lead fell through. I don’t know how it is if someone starts with research before building a story. But for me, researching after the story was assembled, was nerve-wracking. 

I got as far as I could get stateside, when I decided to use my book advance for a solo trip to Florence. For ten days in 2015, I wandered around Florence, frantically sketching, taking tours, and trying to learn from people who had lived through the war. I met a bookseller, Enrico Rossi, who was 7-years old in 1944. I hired a local guide to translate while I interviewed him. I learned enough to make a few more books out of his information! Where to stop!? It was dizzyingly exciting. I also found a rare book at the Florence Library that the Marquand had, which I desperately wanted to own. I asked the library where I could find the book to buy, and one person said I could check the book out and go around the corner to make copies. I appreciated the thought, but I didn’t want to do that. Unbelievably, they gave me a library card, and I checked the book out. In the front of the book, I saw that it was published through the Pitti Palace, only a short walk across the Arno River.

Excitedly, I ran over to the Pitti Palace. I waited in line with other tourists, who had passes for the gardens. But for some reason, the attendant kept telling them their pass was incorrect, and they would have to go to the office. Having no pass, and speaking terrible Italian, I just showed him the book and the words “Pitti Palace” and gestured towards the gift shop. To my surprise, he waved me in! I took a look in the shop, but realized there were no books like mine there.

I slowly walked back to the gate, passing offices along the way. My bravery got the better of me, and I knocked on a random office door. Again, with atrocious Italian, I showed the book and my sketches, and tried to explain I wanted to find a copy. They understood, and asked me to wait. A gentleman made a phone call, then disappeared for awhile. When he came back, he brought two books to me. The one I wanted, and a new one–its companion! I was so excited, and pulled out my wallet to pay. He looked at his co-workers, and waved me away saying not to worry. My eyes got misty at his generosity. 

When I left Italy, I only had one carry on bag–filled to the brim with 15 books and loads of sketches and paintings. On the last day, when I checked out of the nunnery where I was staying, I had one last surprise that only a research trip could have brought me. When I tried to pay with my credit card, the nuns explained it was cash only. The bill was about 570Euro. I only had 30 on me. I had put a deposit on my credit card at home, but the nuns explained this was done by a different company. For them, it was cash only. I panicked. They let me leave to see what I could withdraw from the ATM. Thankfully my bank card and my savings card allowed 250Euro to be withdrawn each. But I was still short–plus the added taxes. I was so upset. But then I remembered all my paintings. I gave them the cash, then asked if I could pay the remainder with a painting. The nuns agreed, and I parted with the first night painting I did during my trip. This experience brought home the feeling that I had when making the book–Italians revere art in a way that our culture may or may not. I was embarrassed to leave without paying in full, but in retrospect, I’m happy to tell this story. 

Once I was home, and the work with my editor began in earnest, I shared all my research. I collected everything on a webpage, so she could spend time looking at it and referencing outside links. I cleaned up some of the research, and put it up on www.renatoandthelion.com. There you can find Easter eggs of hidden portraits and street names, of war time heroes and real artwork that was covered and protected during the war. And the storyline works whether the reader envisions Renato as a Jewish boy, a Catholic boy, or a boy of mixed descent. For in meeting Enrico Rossi, I learned that his Jewish grandmother lived on the same street as his Catholic family members, and no one cared. 

The only mystery I never solved was whether or not the lion was ever covered, even for a day. The great flood in 1966 damaged nearby buildings and destroyed tons of paper documents about what happened to artwork during the war. In the spirit of the book, I choose to believe that although he probably wasn’t covered for long, a little boy could have done his part to keep his beloved lion safe. 

I am forever grateful to Darlene for turning me on to the power of research. She may not have intended to influence me as much as she did–since my travels had shades of an Indiana Jones adventure. But without her, I wouldn’t have had this much fun making my first picture book, RENATO AND THE LION. Grazie, Darlene!

“This love letter to Florence should spur diverse conversations, from art to history to the plight of refugees.”—Booklist, starred review

Barbara DiLorenzo is the author/illustrator of RENATO AND THE LION (Viking, June 20, 2017) and QUINCY (Little Bee Books, February 8, 2018). She received her BFA in illustration at the Rhode Island School of Design and studied painting at the Art Students League of New York under Mary Beth McKenzie. In 2014 she received the Dorothy Markinko Scholarship Award from the Rutgers University Council on Children’s Literature. She is a signature member in the New England Watercolor Society as well as the Society of Illustrators. Currently she teaches at the Arts Council of Princeton, and is co-president of the Children’s Book Illustrators Group of New York. Barbara is represented by Rachel Orr of the Prospect Agency.

Outside of art and writing, Barbara has gone skydiving, hang gliding, and whitewater rafting. She loves to surf, and has driven across the U.S. with her son so he could earn Junior Ranger badges from various National Parks. She has traveled to Italy several times, and lived in Bolivia for six months during college in order to work in a school for the deaf. Currently, Barbara lives in Hopewell, New Jersey with her wonderful family–who constantly inspire new stories. Her amazing 14-year-old son is the inspiration for many of her book ideas, including RENATO AND THE LION. More inspiration is on the way, as Barbara welcomed her second child–a daughter–in March 2017. She already seems to have a sense of humor–like her big brother. 🙂     

www.barbaradilorenzo.com

Represented by Rachel Orr of the Prospect Agency.
Co-President of the Children’s Book Illustrators Group (CBIG).
Instructor & Outreach Program Coordinator for the Arts Council of Princeton.

 Barbara is giving one random viewer of this post an opportunity to win a signed copy of her gorgeous book.  To enter, leave a comment for one entry.  Post it on FB for a second entry. Tweet it or reblog it for a third entry.  I will draw a name out of my writing “hat” and announce the winner here on Wednesday, 10-11-2017.

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Kathleen Burkinshaw, MG Author Interview: The Last Cherry Blossom.

As we approach the 72nd anniversary of the dropping of an atomic bomb on Hiroshima during the last days of WWII (August 6), I am honored to share a wonderful middle grade book that features a Japanese family living in Hiroshima during that time.  THE LAST CHERRY BLOSSOM by Kathleen Burkinshaw should be read in every middle school classroom to open the conversation on why we should always try to settle disputes peacefully and never, ever again resort to nuclear weapons.

This story has special significance for me as well.  My father – Raymond Beck – was a POW interred in Japan during the war.  He worked as a slave laborer in the coal mines of Hiroshima.  Had he not been underground when the bomb hit, I would most likely not be telling this story.

Here’s Kathleen with her story.

Darlene,

Thank you so much for interviewing me on your blog today! 😊

How did the book come about?

The writing journey of The Last Cherry Blossom began about 8 years ago with one question.  My daughter was in 7th grade at the time and was upset about something that happened in her history class. She said they would be covering the end of WWII and overheard some kids talking about how they couldn’t wait to see the “cool mushroom cloud picture”. She asked if I would speak to her class about the people under the mushroom cloud that day, people like her grandmother.     

I called and asked my mother if it was okay to talk about her experience in Hiroshima that horrific day.  My mom was a very private person, and never spoke about it in public. When I was a young child, she told me she came from Tokyo.  Once she confided in me that she was born in Hiroshima and lost her home, family and friends on August 6th, she asked that I never speak of it either. It was too painful and she didn’t want to draw attention to herself.

But this day she gave me her blessing to discuss what she experienced on August 6th.  She felt that since the students would be about the same age she was (12-years-old), maybe they would relate to her story. As future voters, she hoped they would remember that nuclear weapons should never be used again.

I spoke to my daughter’s class a week after the phone call. The following year I received requests from other local schools. I had been writing about my mom’s survival of the atomic bomb for my own and my daughter’s benefit.  But soon teachers inquired if I had a book that could complement their curriculum. Then the real work began!

Most amazing moment since writing the book?

It’s hard to choose but I have 3 firsts at different stages after writing the book.  The first most amazing moment was when I showed my mom the publishing contract and to see her face and tell me how proud she was that I would do this for her. Perhaps I do treasure this most of all because she passed away 2 months later.

The second moment was when I held the printed copy in my hands, seeing my name on it, smelling the new pages. I still get that same rush whenever I see it on a book shelf.

The third was when received my first fan mail. One was a letter from a student who didn’t like reading, but after reading my book wanted to read more books!

ENTER TO WIN A SIGNED COPY OF THE LAST CHERRY BLOSSOM by clicking on this link:   http://www.rafflecopter.com/rafl/display/cd590dfc4/?

Kathleen Burkinshaw is a Japanese American author residing in Charlotte, NC. She’s a wife, mom to a daughter in college, and owns a dog who is a kitchen ninja. Kathleen enjoyed a 10+ year career in HealthCare Management unfortunately cut short by the onset of Reflex Sympathetic Dystrophy (RSD).Writing gives her an outlet for her daily struggle with chronic pain. She has presented her mother’s experience in Hiroshima to schools and at conferences for the past 8 years. The Last Cherry Blossom, is a SCBWI Crystal Kite Award Finalist (southeast region) and 2016 Scholastic WNDB Reading Club selection.

twitter  @klburkinshaw1

Blog     https://www.katheenburkinshaw.wordpress.com

Facebook  author page:   @authorkathleenburkinshaw

NJSCBWI 2017: Another Rocking Weekend of Writing Inspiration.

I spent this past weekend attending the Annual Conference for the New Jersey Chapter of the Society of Children’s Book Writers and Illustrators (NJSCBWI) and came away inspired, enlightened and filled with a new desire to write stories for children.  So many wonderful workshops and a chance to see some amazing writers and illustrators.  Here are the workshops I attended:

  1. Biographies: Finding Subject and Focus: by Laurie Wallmark
  2. How to Market Non-Fiction Books: by Jennifer Swanson
  3. Using Subtext to Add Depth to Stories: by Laurie Calkhoven
  4. 7 Steps to Stronger MG and YA Novels: by Gabriela Pereira
  5. Breaking Down Barriers – How to Write and Critique Across Racial Lines: by Kelly Calabrese and Tami Charles

There was also first page and round table critiques,  and catching up with old friends while making new ones.

Natalie Zaman, Laurie Wallmark

 

Browsing the Book Fair and enjoying a fabulous Keynote address by author/illustrator Stephen Savage on Saturday morning:

 

 

Here are some photo highlights:

With PB author Annie Silvestro

 

 

 

Cocktails with Katie Howes, Jody Staton, Kathy Temean, Robin Newman and Colleen Kosinski

 

The LRA Tribe: Yvonne Ventresca, Robin Newman, Me, Agent Liza Fleissig, Laurie Wallmark, Leslie Santamara

 

With Carole Lindstrom

 

 

Leeza Hernandez, Linda, Char Bennardo

This Makes Sense by Beth Ferry

I recently flew home to NJ from Dallas, TX.

With a sore throat.  In a storm.

As a result, the hearing in my right ear was compromised.

Like I have a cotton ball tucked snugly and constantly in my ear.

Nothing permanent, but pretty darn annoying.

Most people, especially me, take their senses for granted.

Our senses are like five little superheroes to whom we don’t pay much attention, but who really rule our world.

Not being able to hear as I usually do made me think about how our senses affect our writing.

Do we use our senses as we write?

Interesting question.  Our senses surely inspire us.

I know the smell of the salt air at the beach makes me dream of whales and mermaids and deep sea stories.

The feel of the sand gives me ideas about sand castles and buried treasure.

The sight and sound of the crashing waves makes me write about pirates and seagulls and starfish wishes.

But do we use these senses during the writing process?   During the typing and reading and thinking and revising?

The answer is most definitely yes!

And even though you’ve probably heard this advice before, because of my current auditory predicament, I am going to focus on the sense of hearing.

Write your stories.

Read your stories.

Hear your stories.

Reading your stories aloud is critical to the writing and revising process.

When you read your stories aloud and float your words in the air, you are able to perceive them in a completely different way.

You can almost taste them!

Those spicy verbs.                          hjn010212lifespice           

The bland run-on sentences.

The juicy adjectives.

The past-their-expiration-date adverbs.

Something that looks fine on your computer screen and sounds fine in your head, doesn’t always work quite the same way when heard by your ears.

Your ears will pick up the rhythm of your sentence.

The power of your word choices.   The flow of the story.

The mistakes.  The successes.

It is the single most important thing you can do as a writer – read your stories aloud.

It’s how children will hear them.

It makes complete sense!            sbw-cover

 

A Small Blue Whale is releasing in October and is illustrated by Lisa Mundorff.

It is about a whale who sets out to find a friend, but along the way uses his senses to ponder the meaning of friendship.

Have you ever thought about what friendship looks like?

Tastes like?   What it sounds like?   Or feels like?

Probably not, but it is a pretty fun idea to explore.

I like to think that friendship tastes like a mint chocolate chip ice cream cone.

That it sounds like those waves crashing on the sand and smells like that salty air.

That it feels like soft, fluffy cotton balls.

An image that I love.

Only not in my ear!

bethFerry Headshot 500Beth Ferry lives and writes by the beach in New Jersey where she is influenced by the sea and the sand and the salt. She is the author of Stick and Stone, Land Shark, Pirate’s Perfect Pet and A Small Blue Whale which swims into print on October 24, 2017. You can learn more at www.bethferry.com.

 

 

Karen Fortunati: Author of THE WEIGHT OF ZERO.

With the holidays around the corner, I am reblogging posts of some excellent books to remind readers that books make great gifts.  Here’s one on the YA novel THE WEIGHT OF ZERO…an award winning debut from author Karen Fortunati.

I had the pleasure of meeting Karen Fortunati a few years ago at a writer’s retreat in Avalon NJ.  We shared critiques and bonded over writing, the beach and sharing life stories.  Her brilliant writing stood out then and has only gotten better.  Karen’s debut YA, THE WEIGHT OF ZERO (Delacorte Press), will be out this fall and has already gotten raves and literary recognition.  It is with great pleasure that I feature her on today’s post.  Here’s Karen:

What’s In A Name? by Karen Fortunati

How do writers come up with their characters’ names? Divine inspiration? Subconscious memories intersecting with imagination? Focused creativity? Or just flat out making it up as we go along? For me, it’s a combo of all these methods. Here’s a little insight on the naming of some of my characters in The Weight of Zero.

Catherine Pulaski: The main character popped into my head with her first name firmly established. She was Catherine and there were no bones about it. Since writing her story, I’ve asked myself why “Catherine?” I’m guessing it’s because of my aunt/godmother, Catherine Lonski. Like my mother, she’s been a constant, positive and inspirational influence in my life. In addition, my mom has been interchanging my name with her sister’s for so long, the name feels like mine.

My mother, Margaret Angelo, Aunt Catherine (Lonski), Aunt Marilyn (Librizzi) (l to r) and little Emmy

My mother, Margaret Angelo, Aunt Catherine (Lonski), Aunt Marilyn (Librizzi) (l to r) and little Emmy

Now my fictional Catherine didn’t come with a last name so I had to choose one. Having gone through an American Revolution obsession several years ago, I decided to use a general’s name. I choose Casimir Pulaski, a Polish citizen who became enamored with the cause for independence. Once he got to America, he turned out to be a brilliant tactician and has been called the “Father of the American Cavalry.”

http://www.thelatinlibrary.com/chron/civilwarnotes/pulaski.html

So why him? First off, I’m part Polish. Second, the Pulaski name is familiar to me. I grew up in New Jersey and worked most summers at my father’s pharmacy in Newark. My favorite landmarks for the commute to the store were Newark Airport and the Pulaski Skyway, a huge elevated structure always hulking in the distance.

http://www.state.nj.us/transportation/commuter/roads/pulaski/history.shtm

Coincidentally, my dad owned a pharmacy on Pulaski Street in Newark prior to buying the one I worked in for most of my childhood. After writing the story, I feel like I see the Pulaski name everywhere. During a summer trip, we passed signs for the Pulaski Highway in Maryland and it gave me a little thrill. On a visit to the University of Scranton, my alma mater, I discovered a statue of Pulaski in town. I don’t think I had ever noticed it before.

 

Me at the General Pulaski Monument in Scranton, Pennsylvania

Me at the General Pulaski Monument in Scranton, Pennsylvania

Now, in writing this blog post, I’ve learned of another personal connection to General Pulaski. The general died on October 11th which also happens to be the release date of The Weight of Zero. In fact, October 11th is officially General Pulaski Memorial Day. I think the coincidence is weird but in a good way, like I made the right choice in choosing “Pulask

Jody Pulaski: Another name I purposely choose was Catherine’s mother, Jody. Originally, the mother’s name was Caroline (after one of my close friends) but due to the similarity of the two names, my editor thought something different might work better. This time the name jumped out at me – Jody – after one of my oldest and dearest friends. When I needed another name, I had to choose Stephanie, after another oldest and dearest and the remaining third of our friend triumvirate.

Jody Tole, Stephanie Hadley and me (l to r)

Jody Tole, Stephanie Hadley and me (l to r)

Jane Talmadge: I knew I would be naming one of my most favorite characters after my maternal grandmother, Jane. But my grandmother’s last name didn’t feel right so I used an old author pseudonym trick my younger brother Steven had told me about well before I even considered trying to write a book: Use your middle name and street name of house you grew up in. So I choose my grandmother’s first name and the street she raised my mother and her siblings on in New Brunswick, New Jersey.

Aunt Darlene:  Again, this was an easy one. I choose Darlene after Darlene Beck-Jacobson. I met Darlene at one of Kathy Temean’s Avalon Full Manuscript Writers Retreats a few months before the release of Darlene’s first book, the wonderful Wheels of Change. From the very start, she’s been a continually supportive and encouraging writing ally and I’m so grateful to have met her.

It’s funny just how much your own experiences inform your writing. In The Weight of Zero, it’s the relationships between the women in the story  – mother, daughter, grandmother, aunt, friend – that help build a supportive network for Catherine.  Looking back on the names I choose, I’m thinking that maybe my writing (and naming) was one way to honor these relationships in my own life.

BDD_WeightOfZero_FB_Cover_1P_NO_DATE

The Weight of Zero: Contemporary Young Adult, Delacorte Press

Release Date: October 11, 2016

Seventeen-year-old Catherine Pulaski knows Zero is coming for her. Zero, the devastating depression born of Catherine’s bipolar disease, has almost triumphed once, propelling Catherine to her first suicide attempt. With Zero only temporarily restrained by the latest med du jour, time is running out. In an old ballet shoebox, Catherine stockpiles medications, preparing to take her own life before Zero can inflict its own living death on her again.

But Zero’s return is delayed due to unexpected and meaningful relationships that lessen Catherine’s sense of isolation. These relationships along with the care of a gifted psychiatrist alter Catherine’s perception of her diagnosis as a death sentence. This is a story of loss and grief and hope and how some of the many shapes of love – maternal, romantic and platonic – impact a young woman’s struggle with mental illness.

GOODREADS

Website: www.karenfortunati.com

Twitter: @karenfortunati

Facebook: @AuthorKarenFortunati        WeightofZero_front cover new12.indd

 Recognition:

A SUMMER/FALL 2016 INDIES INTRODUCE SELECTION

A SHELF AWARENESS BEA2016 YA  BUZZ BOOK

A BARNES AND NOBLE 2016 MOST ANTICIPATED DEBUT 

Kirkus: “Catherine’s acerbically witty narrative voice is razor sharp and often raw, and the confessional tone of her present-tense narration makes clear how overwhelming her pain is…. An honest, informative, and ultimately optimistic novel about living with mental illness.”        re3669

Darlene’s Review of THE WEIGHT OF ZERO:

Catherine – Cat – Pulaski is a high school junior navigating the ups and downs of adolescent friendships and relationships.  She’s also preparing herself for the dreaded appearance of Zero by stockpiling medicine for its inevitable return.  Cat is bipolar and Zero is the crippling depression that makes it impossible to live a normal life.  A life that isn’t defined by her mother’s constant monitoring, therapy sessions, and a mood rating scale from 0-10.  Zero found her once right after her grandmother died.  Cat is determined not to let it get her again without a plan.

            This amazing YA debut gives an honest and true voice to the silent and often un talked about world of mental illness.  It is a story with humor, heart and hope. A story that will stay with you for a long time.  It should be required reading for all high school students.

 

 

 

 

Just One Thing from Author Nancy Viau!

When Darlene asked me to write a post about my new middle grade, I wasn’t sure what I’d say that wouldn’t give away one of the surprises within the plot. Then it hit me—KA-BOOM! I’ll give away a book, so you can see for yourself.

Here’s a bit about how Just One Thing! (illustrated by Timothy Young) came to be:

Having raised two sons (and two daughters, but that’s beside the point), I wanted to write from a boy’s point of view. So naturally, in the beginning stages, I asked them, “What were your memories of growing up?” Their answers: hanging out with friends, the traumatic move from PA to NJ, water gun fights, bikes, soccer, gymnastics, goofing off when homework was due, school projects, road trips to South Philly to visit relatives and eat cheesesteaks, and more. I also asked guys I connected with on the Blue Boards, and they chimed in with: the Booger Wall at school, whoopee cushions, playground obstacles courses, bullies, and nicknames.  (I can’t find these guys on the boards anymore, but Adam, Marcus, and Ryan, if you’re reading this, I promised you a copy for helping me, so contact me.)

Bottom line, many of these adventures became part of Anthony Pantaloni’s quest to find one thing he does well; one thing that replaces the awful nickname he got tagged with in fifth grade, and one thing he could be known for before he moves on to middle school. We all have those things that contribute to our identity. For kids, it’s more profound and constantly changing. How many of you remember that friend who was obsessed with horses, or the jokester who made funny faces behind the teacher’s back, or an amazing athlete, or extremely talented musician?

Just One Thing! is available at bookstores and online. Oh, I almost forgot! You can doodle in the book, but of course, only if it’s your copy. And only if you promise to contemplate, what’s your one thing?              just-one-thing-cover

Nancy Viau no longer worries about finding her one thing for she has found quite a few things she loves, like being a mom, writing, traveling, and working as a librarian assistant. She is the author of the picture books City Street Beat, Look What I Can Do! and Storm Song, and an additional middle-grade novel, Samantha Hansen Has Rocks in Her Head. Nancy grew up in the suburbs of Philadelphia, PA and now resides in South Jersey. www.NancyViau.com/ @NancyViau1

To win a copy of JUST ONE THING, Leave a comment on what your one thing is and how/when you discovered it.  Darlene will draw a name at random and announce the winner here on Wednesday, 12-7-16.

 

 

 

NJSCBWI Craft Weekend Rocks!

It was a joy to share workshops with fellow writers at the New Jersey Society of Children’s Writers and Illustrators (NJSCBWI) Fall Craft Weekend November 12-13 at the Theological Seminary in Princeton. NJ.  I had the pleasure of presenting a workshop titled SKELETONS IN THE CLOSET: HARVESTING YOUR ANCESTRY FOR STORY.  There were other workshops as well as panels of agents and editors discussing their wants in children’s books.  Here are some photo highlights:

Yvonne Ventresca, Patricia Keeler, me, Laurie Wallmark, Robin Newman: All represented by Liza Fleissig or LRA.

Yvonne Ventresca, Patricia Keeler, me, Laurie Wallmark, Robin Newman: All represented by Liza Fleissig or LRA.

 

 

We three conducted workshops on Suspense, PB's and Using Genealogy in storytelling.

We three conducted workshops on Suspense, PB’s and Using Genealogy in storytelling.

 

 

 

 

 

 

 

PB Author Superstar Tara Lazar

PB Author Superstar Tara Lazar

 

Editor/Agent Panel.

Editor/Agent Panel.

 

 

 

 

 

 

With workshop attendee Eileen Holden

With workshop attendee Eileen Holden

 

 

With Jody Staton

With Jody Staton

Annie Silvestro with her debut PB: Bunny's Book Club.

Annie Silvestro with her debut PB: Bunny’s Book Club.

 

 

 

2015-11-13-07-16-01

 

 

 

 

Most diners raved about the chocolate dessert...I really enjoyed the edible nasturtium!

Most diners raved about the chocolate dessert…I really enjoyed the edible nasturtium!

 

 

 

       If you’d like copes of the handouts from my workshop, let me know and I’ll email them to you.

SKELETONS IN THE CLOSET: MINING YOUR ANCESTRY FOR STORY. (How to use photos,documents, diaries, etc to develop character/setting and details in a story)

Many thanks to RA Cathy Daniels and her “CREW” for making the weekend a great success!